radio free fedi blog

radioFreeFedi

State of the Station Update October 2024

The state of the station from the perspective of the listener and contributing artists is 19/21 platypus at a garden party enjoying fabulous sandwiches and rising!

Listenership has been consistently outstanding and growing across all the music channels. You all absolutely LOVE the Comfy channel and I can't blame you.

Participation in live events throughout our second year has been truly amazing and uplifting. We've done quite a bit this year and we are currently in another nice run of events with quite a few more on the drawing board before the end of the year.

We now have over 400 and growing artists active in the station catalogue and with further writers, announcers, readers, other content makers, advisors and patrons we are well over 500 strong embedded in the streams you are hearing! RFF exists to be a point of discovery, a rally point for community, and a jump off point to go and directly communicate with and support the amazing talent and friends you find. But you are all not just talented but so cogenial and supportive which sadly all feels a bit rare in the modern interweb. Stay amazing out there friends!

THIS IS WHAT COMMMUNITY SOUNDS LIKE!

The amount of positivity and support flowing to, between and amongst artists, listeners and friends is truly the thing that keeps me fighting to not hit delete on the servers when it feels beyond overwhelming. This kind of organic interaction, collaboration and positive spirit, a pillar of our project ethos to try and rally and normalise, transcends the fungible metrics and growth at all cost and the vapid fake number goes up attitudes. Those attitudes and platforms of the walled gardens, corporate silos and even the fedibro tech “leaders” almost always hurt independent and marginalise artists and users alike.

I love seeing it out there in the feed when RFF gets tagged or folks tell me about lovely experiences of support, collaboration and other positive fuel for independent creatives to survive, keep creating and hopefully maybe even thrive.

I can't possibly see all these things, and I don't have to. I know they are going on out there. They can't all be quantified either. That makes the very organic and lovely things those of us here embrace rather unimportant or invisible to the clout cannons, tech “leaders” and unhuman platform norms many of us are trying to avoid when looking for a supportive and engaging community.

These organic and human examples of support and care are the very thing that keeps me from ending the project even on my darkest days because I never know when that next discovery or connection is going to be made via RFF or the adjacent community that will lead to some support, collaboration, creation or joy for my creative cousins out there. Stay vertical.


The stark reality is that after almost throwing in the towel after the new year, the lone hamster sprinting in the wheel has tried during this second year of RFF operation to engage others for help to make the project less of a bus factor but sadly, aside from great resonance with the small things out there in the feed that we all absolutely should very much keep doing, this has been quite difficult at the core functional guts of the project level.

Work addressing RFF sustainability

In recent months a number of excellent artist colleagues have been listening and helping me with mapping out what work I do, what community services we might try to retain and maintain, and what additional things we might build or achieve with at least a team for advising support if not also spreading more workload.

We have achieved some success with team coverage and crossover support for basic community event management, promotion and moderation for things such as live streams.

We have made progress on refreshing the pool of consented written works to soon have our refreshed list of community readers get onto. This creates more work for editing, cleaning and processing but we do have some team help for that as well. This effort will refresh theNews and theTraffic on teh Main channel as well as add more content to the new Word channel for non music that we are testing.

I have been working on extending the artist database to be more accurate and helpful. We have volunteers for some data cleaning and gathering tasks to be undertaken. I've had help cutting in some code to be able test new functionality around these efforts to do as much as we can to foment more, better and easier discovery and support for independent artists!

I've met with a pile of other music and promotion and fedi adjacent or present projects recently in the hopes to build some network of mutual motivation and hopefully find kindred spirits that are unapologetically pro artist, who know we can't all be all the things, shouldn't all be reinventing every the wheel, and might ideally work together to build layers of discovery for for the actual benefit of independent creatives, not skimmers and scammers.

This was kind of a grim exercise to be honest for many reasons I won't expound here, but I have at least tried. There will be some small progress soon toward streamlining some repetitive things we as artists must endure when infinintely platform testing and hopping as well as some small steps toward better discoverability initiatives.

OK that's some of the news at least what I can manage to type at the moment.

Please keep submitting your music, writing, and voices. Please keep dropping in to discover amazing and talented artists from the digital neighbourhood that are only a tag or a DM away for encouragement, collaboration and via the artist chosen links we always provide, direct support if you have means!

Keep the positivity flowing in the feed. It is rocket fuel and it might keep someone going mentally, spiritually, creatively or quite literally materially. Keep helping to normalise supporting independent artists as directly as we can and as amiably and non judgementally as we can via the methods and the platforms artists can manage to navigate and maintain.

Kia kaha

Ngā mihi me te aroha nui

dj Hamster G


Please read on only if you have a deep and sincere interest in understanding some of the backstage need for help in real and durable time or a very ethical and community friendly pivot to sustain the project and people health fiscally for less extreme volunteerism.

Otherwise, keep listening to the streams and I'll do my best to keep some form of RFF transmitting in solidarity with our creative cousins. While some of the work we are achieving above is very positive indeed it is still overwhelming and unsustainable for the core maintainer even if they were in good health.


Thank you friend for being here.

I want to apologise if any recent comms slipped thru the cracks or my responses have been even worse grammar and typing then usual.

This is partly due to exceptional busy times with station events, tasks and new build initiatives plus serious personal circumstances degrading my abilities. I've fought to not let it stop RFF from existing but hit new levels of rock bottom recently for exhaustion, demoralisation and the project being unsustainable.


In addition to the multiple jobs that running the station and community services are, I've been trying to coordinate with a small group of artist colleagues toward a path to save RFF from sunsetting.

This work has been around identifying any tasks and processes that can help maintain existing RFF community services and expand general knowledge sharing and coverage to make the project less of a classic bus factor.


It is heartening to have skilled and trustworthy friends who understand the RFF points of difference for ethos, operation and vibes. Some have put their hands up to help, but it is still a heap of more work and challenges to train and coordinate other volunteers based on compounding schedules and availabilty if there is durable availability.

We are taking a train the trainer approach where we can and hope to build resiliance and redundancy this way.

It is a slow process and there is always space for more genuine offers of help from friends aligned with the ethos you should hopefully find and feel from the streams, the comunity feed, previous blogs and on our main site.


Many have asked what exactly they can do. It's been mapped out from tiny to regular bigger tasks in multiple formats on feed and in the blog, but the reality of present, available, durable help is quite the unicorn.

That's fair, everyone is busy or struggling themselves to survive so it's a big ask to try and get others to join me in the extreme volunterism that has been embedded in the community organising, intended quality and stance of the RFF project that I am honoured and humbled to hear has resonated deeply.


It has never really been doable alone so this is one last effort to find a path to sustain, grow, cut back or sunset. The project doesn't need money as far as keeping the lights on until March. That has never been a problem as the awesome community quickly rallies to sort that when asked. That is another reason the project hasn't ended for although the time commitments have always been wholly unsustainable I have never been out of pocket fiscally for technical infrastucture.


I want to thank the absolutely amazing and supportive artist colleagues and friends that have been there for me to plot, vent, laugh, scream, cry and all the things over the course of the RFF project. And my gratitude goes out to the small group that has assembled to try and find time to help in more ways to keep the project going, growing and to further support the hamster in attempting to facilitate and coordinate such help and project sustainability against an unfortunate set of circumstances for an amazing project that is a bit of a victim of its own success.


Do you love what RFF has been to you and to others and what it could continue to be or become?

Do you have durable time to commit to help the station survive and thrive? Do you have serious ideas for other resources or assistance.

Please try to respect some privacy and dignity in that I do not want to be even more personal in the public forum but do understand the situation is severe. There is no health or time available for reckons, further requests or demands on time, throwaway commentary etc.

#radioFreeFedi #stateOfTheStation

ways you can help and participate

Often folks ask what they can do to help the independent creative community via RFF. That is hugely appreciated but there are a couple caveats that often present.

  1. Often as with so many of us, the caveat is “but I don't have much/regular time”. There is not a lot of availabilty out there for regular and stable time commitments and that's fair.

  2. RFF is for all the core behind the scenes work a sole volunteer, quick moving experimental project exploring durable community building in alternative social spaces. Often times we (RFF) aren't really sure if an idea will ever see the light of day proper so do not want to get hopes up advertising for help with it. And/or we (RFF) are also so snowed under that we haven't had the time to make time to try and separate out exact micro tasks for helping.

Here are smaller more digestible ideas, steps, actions we can do to help the community followed by more indepth time ideas as I try to pivot the project to be less susceptible to the bus factor.

We'll update, append, and edit this page as new ideas, projects and tasks take shape. We'll highlight a small task or action or an invite to larger more scoped tasks regularly in micro posts and in our chat.

Don't be overwhelmed by the list. Everyone doing a little thing, ripples big and it can be as simple as taking a moment to make a post in your own words about how or why you like to listen. Or your experience as an artist playing on RFF. It can be the small but mighty effort to drop a kind word to an artist you found via RFF or helping to reach new corners of the verse to instigate more submissions of music, writing and voice.

These are some ideas for relatively quick and low time cost force multipliers for good the community of artists and listeners has shared and spread to date. You can help us all as artists and community to keep growing connections and support.

If there are little things out there that you or others have done or received that are RFF adjacent and we might add to the list, please DM.

Mini Calls to Action:

  • First and foremost, keep listening, drop-in, discover and hopefully take a moment to follow, drop a kind word, spread the word about or materially support the awesome indie artists you've connected with.

  • Help get more people listening, maybe do a post in your own words about how you've discovered or connected with artists, listeners, collaborators, community or anything you have liked that might resonate with others. Feel free to mention @radiofreefedi@musician.social and/or tag #radioFreeFedi

  • More artists and contributors! Are you a music artist, short form writer, friendly voice, and haven't yet submitted? Please do. If you have any artists in your circles and can personally recommend RFF as a fun way to discover and connect with and amazing and supportive community of artist colleagues and community friends, please do!

  • More comfy. The comfy channel has proven to be exceptionally popular. It is very much a subset of the potential catalogue we receive so any help in growing diversity and depth would be well received by our many friends who love and lean on some comfy. If you have listened to the comfy channel and know the vibe and know of any fedi present artists that might fit the brief, please recommend RFF for them to consider submitting music

  • Station IDs and Announcements. You don't have to submit music to be on your fedi comunity radio and you don't have to be a music artist to drop a station ID. DM if you are interested in doing some voice reads. We have outlines and script ideas to help. We'd love to have many more Station IDs and reads in your style or language. Join the party.

  • Read the latest state of the station report.

  • Use our venues for your events. Would you like to hold your listening party, video premiere or live perfromance on our platforms, audio and video with chat? We can make it all quite turnkey for you. Or as a community supporter would you like to host a chat hangout on our video chanel synced to one of the channels or specialty blocks? DM the station!

  • Make a date to explore a themed block on our Speciatly channel. This is a way we can go a bit deeper and include longer run times from the contributing artists' catalogues since you are opting in for a “genre” adjacent listen. You will hear MANY more tracks that are not on the Min and Comfy channels. Daily block time options and links to their descritpions are on the main site.

  • While we enjoy the fediverse as a means for micro blogging and some other media and social interactions our primary play methods and the artist support links we happily and agnostically pass along are wholly universal and do not require any fedi presence. Sharing the RFF public website here or anywhere you post or mention is helpful and awesome. It is another great way to help with discovery and support for our community of independent artists.

  • DM the station if you might be able to assist as a help team for other artists. Occasionally an interested artist needs a bit of help navigating file conversion, audio meta tagging, transferring, storage etc and it is good if we (RFF) have some friends to ping to see if anyone is avialabe for such small advice or assists to our colleagues and friends. This is informal and friendly. It's also possibly not a bad idea to extend out artist dierctory with services offered in solidarity or more formally as well. The more interaction going on out there in this area will help.

  • DM the station if you want to help producing events such as video premiere partys, special event a/v packages, and more.

  • DM the station if you'd like to help with occasional data collection and artist liaison tasks. An example where this will be handy is we're hoping to make our artist directory better and searchable.

Project specific tasks and help requests:

If you have an unshakeble pro-artist stance, have had some time to absorb or resonate with the RFF community vibe and ethos and wish to contribute time so that we can grow and diversify the amazing creative and supportive community organically, here are some specific more tasks that would very much help provide some cover and maybe some space to breathe for the hamster.

Technical station engineering (servers servers servers) Is the command line your happy place? Are you comfy with the care and feeding of linux and various types of web servers, file drops, “fedi” servers (GTS, owncast, write.as, etc), docker, networking protocols, volumes, backups, streaming and broadcasting tools?

Time commitment is upfront in learning the existing topography and could be as a fallback for the hamster when he is down, assisting with live event simulcasting and crossovers etc, up to as much regular care and feeding, platform tweaking, migration and improvement as you would care to assist.

Audio Engineering Production of sound elements for the channels. Editing and cleaning non-music submissions to a “broadcast standard” and producing station assets. Editing and mixing together announements, voice pieces etc with station asset files like intros and identification into unified files.

Time commitment can be pretty low and on-call when there is a batch of material that needs worked. Skill level is audio production and engineering to some pretty basic specs.

Station managment (content) Learn our station manager backend. Primarily GUI based work for loading audio, updating track and artist tags, managing playlists.

We could try and coordinate a few friends learning this at the same time. For the outlay of time this will require, this should be a dedicated community member that wants to commit to long-term help. Time commitment for this is a few hours up front to learn the layout of the system and how to work with the libraries for all the channels. Skill level can be all GUI based web dashboard admin but confident with not touching dangerous things and learning and navigating the music library, metadata and playlist structures.

Development If you are down with building some things that are wholly inline with our community ethos there is always space to help expand our offerings. A current example that has been on the whiteboard for checks watch, 20 months, is a deeper and more interactive artist directory search. We love lean and mean, substance and comunity over bloat and flash. There are always possibilities for collaborating and integrating with other platforms and having some friendly and community focused dev types for talking out these things would also be of great value.

Data Team We have a few data collection and cleaning projects that will involved simply visiting artists' bios and pages to help assess and gather artists defined info such as genres to help make our artist directory more robust and searchable, Occasionally reaching out to artists to verify links or ask if they want their info updated on what RFF displays etc.

Time commitment will be bursts around regular data checking and cleaning intiatives and project based tasks. Skill level is friendly fedizen comfy in the feeds, a music fan and friend who can understand vibes artists are putting out, comfy with text gathering and spreadsheet fun times.

Artist Technical Advising Friend Team Be on call for when fellow artists might need some requested and gentle advising on tools and platforms such as audio file preperation, transcoding, tagging, options and help for uploading and privately sharing (RFF have our own drop), and other helpful pointing in handy direction type stuff.

New Release Monitor and Friend of the Artists Are you out there in the feeds, knees deep in music like every heckin day? Can you help be a conduit to point RFF at new releases we might not have seen. Many artists have made submitting to RFF part of their release process but for those that might not have, would you be confident and friendly enough to ask an artist who may already be on RFF if they'd like to submit their latest? If an artist hasn't previously submitted you might invite them to join the community.

Time Commitment as little or as much as you care to help keep an ear or an eye out onthe feeds. We'll have a simple process to make sure we aren't overlapping requests to artists and there are some well tested bullet list submission guides you can get comfy with and point to. Skill Level, a friendly fedizen with a keen interest in the music community, comfy with basic post navigation, text gathering and maybe some spreadsheet pasting fun times.

RFF Community News Team We are still exploring the mechanism or platform that we will use for a team (to be assembled) managed account separate from the main RFF fedi account. The idea will be a defined, known, opt-in place to follow where we can go full send on boosting artists posts, events, new releases, publications, adjacent helpful information for artists, mutual aid, etc etc.

Time commitment a few minutes per day or a few hours per week basically tasking off of exploring and scrolling you might already do. Skill level, comfy in the feeds and using various fedi front-ends for exploring, boosting, marking things of interest and collating friendly and well-formed posts as needed.


Work in progress started 06 May 2024. Updated 31 October 2024.

Thank you for your love and support for independent artists and for helping RFF as we try to catalyse and rally more of that durable community and support.

KEEP SUPPORTING EACH OTHER AND INDIE AND FEDI ARTISTS!

listen and contribute: [https://radiofreefedi.net]

Kia ora rawa atu

State of the Station May 2024

Overview

The state of the station is 12 aardvarks trying to salsa dance inspired synchronised swim but mostly treading water yet still pulling off a silver medal performance and intensifying!

It's been a minute since a “proper” #StateOfTheStation report but rest assured that the hamster and friends remain at a robust jog if not full sprint when not collapsed in exhaustion.

If you are keeping score at home there are 360 contributing music artists in the stream and including writers, announcers, readers, patrons, advisors we are now closer to 500! There are currently over 4600 friends keeping an eye on the main account. Like we always say, the way more important number is 1. It might be the one nice thing someone hears all day and it was because you took one moment to drop one kind word to an artist, or buy or donate to their work, or as an artist thank someone for taking that minute. That is powerful and it is a massive bouy for all of us as RFF, as artists and as community!

What's news?

Coming this month, RFF will be popping up a channel dedicated to showcasing the Fediverse's own FediVision 2024 Song Contest entries in a real-time stream format. Song entries will open on 5th may and closing on the 12th. Get amongst it to compete or listen, vote and have some light hearted fun. See @announce@fedi.vision and the FediVision site for all the info.

Listenership has been outstanding. This has posed a good problem to have for when we need to do general infrastructure care and feeding or adjustments as we grow. You all LOVE you some comfy channel and it is a minor existential crisis when we have to ponder a reset or brief outage not wanting to break anyones vibe.

Coming into the meat of the year and artists releases are flowing! The great work you are all doing supporting each other, tagging artists and RFF, spreading kind words has continued to not just be rocket fuel for our creative cousins but helps to generate goodwill out in the feeds for more artists and friends to join in on the vibe. These things vary as is the nature of the interwebs and federation but we continue to reach new corners of the verse and welcome new friends. Keep up the good work spreading the vibe of supporting independent artists!

We had heard how so many of you are often or always on small format screens. We know the RFF main website was intentionally brutalist and could understand some constructive issues with it. This is very different to “this site is ugly you suck at commercial radio”, or “lemme redo your shit site for 'my portfolio'”. Rule #1 of RFF, RFF is NOT the thing. You discovering and supporting independent artists out there in the fedi and the world is the thing. This was often thought about but seldom spoons to balance softening the site's edges whilst never wanting to distract from the artists or to bloat or surveil your world. We hope the update compliments our ethos of artist and listener agency and empowerment, accessibility, and is mobile friendly. We think this has been tactfully addressed with the new public site.

In March we had a catasrophic database failure which effectively meant every single track ever loaded into our system for any channel or specialty programme was fair game for the Main channel to play! We hustled to recover from this over a period of two days without really taking any of the channels down. We apologised if you got some blast beat metal or harsh noise collage on the Main channel during this event. Hope it didn't scare your neighbours' cats too much. The best solution was manually addressing each of the thousands of tracks. Despite that time sink, rather happy with some changes to playlists, process and backups this issue forced, so silver lining or something.

We have a small and growing team of friendly fellow artists who might be able to help with some light advising or support for artist issues generally around getting your work setup for submissions to RFF. If you are having trouble beyond our various submission FAQs | or long form submission FAQs, DM the station we can reach out to a group of friendly peers to see if anyone is available to assist. We'd like to investigate ways to more formalise this type or help and also services going forward.

Many thanks to everyone that leant a shoulder while I worked through the very hard options that included shutting down the project around the new year. Cheers to the mischievious artists who pulled me into accepting some personal mutual aid.

The help, reflection and refocus has allowed me to make sure RFF will go on. We have an updated site, growing community and library, progress towards making contributing small amounts of time easier for the community to help out, mini calls to action planned and a good matrix of projects to tackle if and when resource permits rather than operating on pure burnout. While there is so much more RFF can, could, should do, it must be resourced to be sustainable from a human and health perspective.

Thanks to the advising artists for helping me in improving not just our services but also much behind the scenes process and communications toward making RFF as a community service more durable.

How can you help?

First and foremost as always, drop in and listen! Discover new artists, new to you songs, and then go follow, drop a kind word to, collaborate with, and materially support if you have the means the amazing artists you have discovered.

Invite friends to tune in and the discover the community. Invite artist friends to join the party and contribute music, sound, voice, writing and more.

We will be launching new and regular weekly, fortnightly, monthly mini calls to action. These might be as simple as emphatically encouraging you to make a post or a message out there to engage and welcome more artists, or listeners, or writers, or highlight a specific vibe or bit of prgramming to the fedi and beyond. Small things that collectively and organised will ripple big and since RFF can't be everywhere all at once, will help grow the community which benefits us all as artists AND listeners.

There will also be invites for more specific help such as various data collection or artist liaison tasks. And example upcoming is our effort to make the directory of artists much more informative and interactive.

And of course the reality of the pretzel monies...

2024 RFF Infrastructure Fund

We are currently infra funded through March solet's push that out as far as we can and not have to ask again for a bit.

Thank you for powering the broadcast and supporting independent artists.

Disclosure

Current Infrastructure Costs per month ~48 EU as at April 2024

VPS' ~ 30 storage and backups ~ 10 IPs – 4 other hosting, domains, misc – 3

With this we operate a public facing site, this here self blog, our own federated instance for the unthrottled public now playing fedi bot, a private drop instance, station management server, public audio relay servers, a Faircamp hosting service, various backstage web services/tools for interop, automation and storage and more. Our Owncast RFF video and chat channel server is supplied by @owncast@fosstodon.org which you should check out because it's rad.

Wrap it up G

There has been heaps done, heaps being done and heaps to do!

We hope you will continue to submit amazing, weird, wild and wonderful music, sounds, voices and writings. We hope you will encourage others to create, share and maybe even join the RFF community.

We hope you will continue to drop in, discover amazing independent artists, and keep getting out there in the feeds and the interwebs sharing your experience, seeking collaboration and support, materially supporting artists if you have the means, and dropping artists kind words!

Listen, submit, contribute: https://radiofreefedi.net

Kia kaha

Ngā mihi me te aroha nui

the hamster sprinting in the wheel under the RFF tower

#radioFreeFedi #StateOfTheStation

let's triple down on durable community, comradery and support, and also a new website appears...

Welcome friends new and old! The RFF community continues to grow. We are continually excited, surprised, and honoured to play any part we can in fomenting intentional acts of collaboration, solidarity, support and kindness around an ever expanding cast of players and artistic formats.

So many of you have “just gotten it” over the past ~15 months in what we are trying to convey and do on the proverbial smell of an oily rag, amongst a smaller but organic and dynamic corner of the internet, and against the massive and pummelling pressures of the big internet, for the love of our artist siblings.

That isn't to say it's been a barrel of sunshine and kittens. If you have ever read the deep dive state of the station reports you'll have had some serious how the sausage is made behind the music kind of candor. We've been berated, minimalised, attacked, harassed and treated as if we are some resource laden massive operation that can cater to every demand. These are usually from folk who have not or refuse to experience what the community that has rallied around RFF can be, can offer, and can do. Sure anyone can rip a bunch of music, slap up a randomised stream and say RADIO, but thank you to the amazing listeners, advisors, community and artists who realised early and often that we deserve better, and that while it's hard it is also worth trying to do things a bit different.

Please know that the positive words and experience YOU have shared with RFF directly, or out in the feeds, and especially toward other amazing artists and listeners is the absolute predominent vibe, and that so very rocks! -RFF

EVERYONE can help!

There is so much more we can, could, should do to help support and promote independent art and to advocate for durable organic community building. We have even more projects in the pipeline but will need your help to realise them. I

Fear not if you haven't the spoons or time to put a hand up for community working bee projects. You are having an immense impact every time you drop in to the streams, discover a new to you artist or track, drop the artist a follow, check out their support links, or even more awesome, drop them a kind word that you appreciate or love their work. Rocket fuel!

a new website appears

So here is an indicative incremental type project realised. You may already have noticed, we've updated the public website. We have gathered that a HUGE number of you use the website as your primary playing method which is great as it is the very best place to get ALL the point of difference information on tracks and artists we love to pass along with every song or piece. We also learnt that many of you at many times are on smaller format screens.

Many thanks go out to @oleksiy@sonomu.club for contributing new responsive layout and web player to the RFF community. As a volunteer community building experiment around agency, consent and how to rally support for and between our creative cousins, the main website was always brutalist simple. This was equal parts not wanting to bloat and track your world as so much of the web has become and not wanting to distract from the core mission of discovering artists and community. Having some help and inspiration to move forward and respect that vibe was awesome.

We hope we can continue to be a rally point or a conduit for such ethos as well as the unapologetic advocacy for the wellbing and continued ability to create and share for the bards, the writers, the creators and the open and loving art supporters of the world.

While the fediverse has been a means for the microblogging and tagging portion of what we do, the signal is to the universe. What the organic fedi had afforded us was a means to prove a concept. And you all proved that there IS desire for community, comradery, agency, consent, lovingly linear programming outside of walled gardens and coporate silos, and so much comfy, ya'll love you some Comfy channel!

We are so thankful to have found and continue to find so many of you eager and keen to seek support for your amazing work, seek amazing work to support, and find organic community in different “social” spaces.

So the main website...

What's new:

  • responsive layout that should be much more usable in the single column small screen world

  • most platforms should show your preference for light or dark mode

  • new web audio playing method that allows easier channel hopping and rejoining

What's the same:

  • there is no less information presented per track

  • the desire to be a transparent and transient layer of discovery as an informative jump off point to traverse the wider fedi and web in support of amazing artists and creatives

  • our eclectic programming that may slightly challenge but also will never try to be a hyper focused end point of consumption at the expense of diversity, unexpected joys and interactive community

What's next:

  • we are laying the foundations for a more interactive artist directory

We've done our best to test in many environments. The experience should be improved for our appararent and many! small screen format friends.

We've also tried to keep core information layout and functionality usuable for our many visually impaired and unsighted friends.

On balance this is as “pretty” as we care to get as to not be a distraction from what really matters which is indie artists, discovering and going elsewhere to directly communicate and support these awesome creatives.

We made a trade on a bit of visual intuitiveness for the web audio playing buttons as opposed to a browser default audio players. You should now get live feed straight away on restarting a stream or switching channels rather than the browser pausing or caching. This is a small bit of javascript but we still rely on zero cross domain rubbish.

wrap it up captain

So overall we've softened some edges, accomodated small screen a lot better, hopefully improved the web player experience for many and stayed within the brief to never be the “end point of consumption” persay by neither distracting, bloating, nor trying to position RFF as anything other than a transparent discovery layer on your way to supporting awesome artists.

We hope you will continue to submit amazing, weird, wild and wonderful music, sounds, voices and writings. We hope you will encourage others to create, share and maybe even join the RFF community.

We hope you will continue to drop in, discover amazing independent artists, and keep getting out there in the feeds and the interwebs sharing your experience, seeking collaboration and support, materially support artists if you have the means, and dropping artists kind words!

Listen, submit, contribute: https://radiofreefedi.net

In solidarity, the hamster sprinting in the wheel under the RFF tower

#radioFreeFedi #StateOfTheStation

radio free fedi state of the station and end of year report December 2023

(This blog is federated but NOT interactive. Kindly please follow @radiofreefedi@musician.social instead.)

At the end of January 2024, radio free fedi will celebrate one year of broadcasting.

“This is small web, consent driven, artist populated, non-commercial mechanism, attribution promoting, community radio from the fediverse.” -RFF from day zero

As we come to the end of the calendar year let's firm and frankly reflect on a super positive year for how artists and supporters joined together, and the simultaneously super stressful year for factors constantly trying to exhaust us from connecting, sharing our work, asking for help or even creating in the first place. #StateOfTheStation


The state of the station is 14/17 pineapples and intensifying. The hamster sprinting in the wheel remains on a permanent upward line graph of exhausted as are many of you friends out there. However, as usual we're buoyed enough to not sink by the love and support flowing amongst the creative fedi and RFF community and hope you might be as well.

We anticipate increasingly difficulties for our artist friends and indeed RFF to stay connected as the costs, stresses and threats on small players in the fedi are exacerbated. We are not optimists, but in the face of the latest rifts that will continue to affect our collective ability to be connected, RFF are vowing to do our best to remain a proper weird signal in whatever corner of a federated network we can remain for the absolute purpose of lifting each other up by celebrating consent, agency, artists and community.

If you TL:DR and only go this far, know this:

THANK YOU so very much to every single artist that has contributed.

THANK YOU to every voice reader and writer that have contributed to the vibe of the station.

THANK YOU to every single financial contributor that has made sure RFF exists and is no fiscal strain or anxiety on the hamster.

THANK YOU to every single absolute legend that has tuned in, discovered artists, tagged a kind word to an artist, made great lists of artists to support, helped promote artists and RFF, contacted artists for amiable terms to use their work or collaborate on new works, and made the effort to materially support artists as direct as possibly and by whatever means artists can navigate.

“It’s a way to find amazing underground music, that you won’t find on other platforms cause it’s buried by the algorithm. Ahem. Points at self. But also, that’s genuinely been my experience of it it, on Fedi and listening to RFF” @Meljoann

“PSA for #fediverse #music #RadioFreeFedi is great for discovery. I've gotten in the habit of launching it as soon as I hit that moment of 'it's too quiet but I don't want to think about what to listen to'. Love it.” @Raineer

If the existing or pending fedi rifts and splits make it harder on all of us as artists, and certainly harder for a project like RFF to navigate, we will need your help in how we organise and stay connected.

The transmitter remains on at full power beaming our collective message of transparent discovery, consent, attribution, celebration, cooperation, strength in community, normalising and easing promotion of indie and marginalised artists, and organic interaction in at least a potentially somewhat safer alternative web space for supporting and uplifting one another.

“Instead of a #FollowFriday I wanted to just say how much I've literally had more happiness in my life after properly getting into @radiofreefedi this week and discovering and enjoying so many amazing artists, so shout out to...” @MediaActivist

The community has proven keen to have a rallying and discovery tool such as RFF, that we are collectively willing to throw down for and give support to each other, and to be a non-competitive and downright lovely beacon for creativity and comradery to the fediverse and beyond.

There is potential for so much more inclusion, promotion, sharing and supporting of our creative siblings and each other as community we hope you will continue to play whatever part you can in the new year or if you are just finding out about us, join in the party!

“Fellow #Musicians #Composers & #SongWriters , if you haven't heard of @radiofreefedi yet, have a little read & a browse, submit your #music, & start listening! The more creators that submit, the more varied the experience becomes for all. Such an interesting & organic way to find new music & make connections. It's also a real thrill when you are making coffee at 8am on Saturday morning in little old #Ireland & one of your own songs comes on!” @SharonMurphyMusic

FROM THE FEDIVERSE TO THE UNIVERSE, RADIO FREE FEDI


New business:

RFF has organised what we are calling a stream parade for New Years Day 2024. It's like a stream “raid” except it's organic, it's a bunch of rad independent creative fedizens and communities using open and federated tools and with none of the corporate ads or harassment. NEAT! We are very close to having a url for the event but in the interim you can check out the “tentative” schedule of superb participants.

update The stream parade was by many accounts a raging success of community vibes and comradery. We've left the schedule up so you can continue discovering and supporting the participating broadcasters and streamers https://radiofreefedi.net/nyd24 and our post event debrief

Since the last state of the station (August), RFF and community have increased the artist count in the station by 17%! Keep helping us reach new corners of the fediverse, boost, tag #radioFreeFedi and mention artists when you have a moment to drop a kind word or a mini review. Keep submitting music, writings and voice reads, and recommend your friends and favourite artists might also like to join the community!

“The feed is consistently high quality and always a little surprising. Keeps me on my toes as a listener.” @jannem

“Getting into #RadioFreeFedi got me super motivated to get into podcasting!! Thanks!!” @StrepsipZerg

In a niche corner of what was mostly a niche federation doing something sadly considered weird by corporate talking heads, we reckon it is well worth celebrating that there are now over 400 direct contributors of music, voice, advising and funding to RFF! There are thousands in the extended network who have kept an eye on what we are doing. There have been hundreds of thousands of listening sessions. We can't count or see them all, but we reckon the most important number out there is the MANY connections, kind words, collabs and as direct as possible donations subscriptions and sales for artists that you all have realised!

“Wonderful to find more music people here and thrilled at how many folks have found the new EP through @radiofreefedi.” @RobertaFidora

If you had any small part in this, please know that every small bit is MASSIVE to the artists and the cumulative energies and community effect is downright AWESOME.

“RFF makes me feel like I am participating in music, not just being a passive listener. I can send my contribution if i want to, listen to what others sent in... I could send compliments to the musicians by simply tagging them...It means being part of something bigger, being less alone. That is not something a youtube or spotify playlist or a regular commercial radio could give to me.” -Fish @rybson


Matters arising:

OK let's get the year in review gloom out the way. Apologies, please scroll a lot if you are tired of reading about being collateral damage in the centralisation of power dynamics, clout for sport, co-option, in the ActivityPub federation and beyond

CW: We're angry, we're tired, we hate seeing our creative cousins bullied, erased, stressed, and made to shoulder unnecessary and inequitable workload to simply exist, find community or eat some lunch. As such, ahead are some links that may have terse yet informed opinions by way of our community vantage point. Our primary weapon for defending against the battles foisted upon our communities is usually tripling down on what is positive and highlighting when our wider community is getting things so right and so beautiful, but this year truly challenged that approach so please forgive some year in review tone variance.

We've dealt with some incredibly artist unfriendly issues this year.

The second fall of Bandcamp exposed new risks for artist agency and exploitation as a new gold rush formed to fill any space left by an exodus. In seeking options for where and how to safely or beneficially host and share our music there are stresses in balancing ethics, reach, survival AND unfortunately the often selfish and narrow demands of the wider commentating public and fedi armchair pundits for artists and builders to jump at their command. We took some time to hit back at that and encourage a bit of not just walk a mile in the artists' shoes but that we might not all have the proverbial correct footwear for the weather.

September Urging calm and support for the artists we love in the face of the latest changes at Bandcamp

October bandcamp and where to for artist agency, listener choice, general agency and ownership

November on bandcamp vs no bandcamp vs some bandcamp?, vitriol, armchair punditry, projection and respecting the diversity of our realities on the ground as indy artists in a digital landscape of immense power imbalance


There have been some incredible admin wars in the fedi that can have quite a lopsided impact on us as artists who may have been lucky enough to find a community and possibly lose unknown chunks of it on a whim or vindictive burst. As we approach the end of the calendar year we've said most of what we've needed to say partially as a relief valve for stress and tension but mostly in the hopes to show solidarity.

Sadly we are not the most eloquent of writers but the motivation is to document valid community issues, emphasise human and artist centred empathy and consideration toward such issues and maybe offer a bit of a sign to tap and holy shit has it been a year of tapping the damn sign. We have tried to be critically positive and offer as many ways we can think of to help the fedi, the web, and the world see how systems and actions impact us as independent and/or marginalised creatives, and how we might approach moving forward together or if needed, to kindly consider getting out of our way so that we can stand and survive.

September Despite the recent timelines there is fedi LOVE and it is YOU!

We hope the voice we have chosen addressing these issues has provided if not direct help and knowledge, and if not solutions, and if not a sign we can collectively tap on to the world, then hopefully at least some comfort that we are not alone in all the challenges. If the community wants RFF to just shut up and sing, we will. But the community has been the inspiration for us to even try and be a conduit for concern and rage. We'd rather be drumming, but it would have felt lazy and antithetical to our mission to not try.

We are adamant about advocating for the voice of the independent and marginalised artist in an internet landscape that has seldom valued and certainly not often celebrated our work, existence or survival. It is worth fighting for our voice and ability to achieve some level of agency for controlling and sharing our work on fairer and safer terms for all, so that we might continue to create, at a minimum.

it's Threads+Mastodon

December – a 'nicer' RFF pro artist stance that held us up from reviewing the year because of the absolute noise in the feed and concern in the inbox. threads and what is the fedi anyway?

If you want some more of the decompression from our vantage point we've added an extra addendum on the topic at: it's Threads+Mastodon

end of gloom. back to our regular programming

Our primary emphasis in entering any discourse out there is the safety of our creative friends and the durability of organic reach and organic community that has shown so much promise. It is a crime against art and creativity that for many reasons of direct attack or proximity exhaustion to these difficulties, challenges and dramas that any of us should lose contact or motivation. If you are out there creating, trying to do no harm, and punching UPWARDS, RFF stands with artists of all stripes, doing what they need to do to create, share, seek support, and survive.

“My music is played regularly on #RadioFreeFedi and I've had such support on #BandcampFriday through boosts, comments and sales. I feel part of a #CreativeCommunity here. In all my years on Twitter, that never happened!” @SharonMurphyMusic


Let's step through the RFF journey

A bit of origin lore January 2023:

We've touched on the origin story in other blogs and out on the main site. It is very true it was kind of a challenge in a bit of a throwaway post from our friend Gabe at @owncast. We had both tried over a couple years to get some engagement from fedi artists for both a music audio and interview podcast and a 24/7 music video channel where we both wanted to really highlight attribution and connections. Neither materialised due to content availability and difficulty hunting and maintaining.

Due to health issues there are often days that need to be pretty low activity we like to call “recovery days” ya know like a high performance athlete. So on a recovery day, this showed up in our feed:

“Project idea: One time @jnktn_tv had a show full of music by people on the Fediverse. It could be cool to have a 24/7 stream of Fedizen's music. When it plays a song it gives links to the person's account and more info about them and stuff. I'm mostly just hoping I can wish this into existence and @controlfreak will take it from here.” – @gabek 23 Jan 2023

Challenge accepted!?! Armed with a voucher for a free domain and some borrowed time on a VPS in about a week we soft launched RFF with a small proof of concept wire frame catalogue based on our previous research and pilot episodes of a fedi music podcast and what some would consider a weird mission. It has been heartening to look back in review at some of the early messaging and how consistent it has held and resonated. Cheers for coming along on the journey.


RFF Comfy – March

Very soon after launch there was immediate demand to just do all the things, have all the channels, allow 15 minute opus', play music types no one was submitting, be Spotify etc. We decided to go even more inclusive for our friends who may be a bit ND or any friends at all who just needed something a bit more chill in the life. Enter RFF Comfy. Plenty eclectic and fun to explore but without the sharp edges. There is absolutely a loyal comfy crew out there and we hope to really grow the channel in the new year for you. Comfy origin story


??

Somewhere in this area we added theTraffic at the bottom of the hour on the Main channel. As most of you will be aware, theNews and theTraffic are actually neither of those things. We very much enjoy finding new and interesting ways for them to not be. Don't make us add theWeather...


June – In June we broke the 200 contributors to the station mark. We focused on reworking and offering better and more robust now playing and recently played options. There is a paradox that while our now playing bot was expanded to all the channels and we included channel specific hashtags, the botsinspace server throttles public posts to 6 hours and everything else is sent out as “unlisted” and thus not searchable. Fair enough. It is on our white board to move the bot or host the bot in a way that you will be able to search. This may require a specific champion host or patron to help.

Here are all the ways you can see, check, scroll back, or research recently played on all the channels https://blog.radiofreefedi.net/rff-recently-played-history-how-to-and-stuff


RFF Specialty – July

As the next phase of station growth we decided a good way to increase the amount of tracks we could showcase while being able to go weirder, wilder, longer, and to provide some focused themed/genre experience still drop-in and discover friendly, and to make sure the listener has the choice in the matter for all that, we launched the Specialty channel. This project involved over a few weeks going back through every single submission to date and reviewing every track and assigning, tagging and loading everything to any appropriate themed blocks including reviewing all tracks not previously used on the main channel for inclusion. tee D us.

Here is the Specialty channel lore. And here are the themed blocks.

You should make a date to enjoy a themed block and get to experience tracks you won't hear on Main and Comfy.

“Nice! @radiofreefedi has programming blocks now. This now gives you 3 channels to choose from. Currently playing some nice atmospheric #music. #radiofreefedi is a great way to discover new music and directly support the artists. #til” @robbielink


August – Here be dragons!

The server where our masto account resides got wiped including backups by their hosting provider. That was a hoot. Here is the anatomy of a disappearance.

Without old messages available, luckily we had a load of text files and this here blog to be able to reflect on the year and build this year in review state of the station. We've heard that some of you appreciate lore and the occasional update that doesn't have to be in the dreaded 1/427 format on limited post servers. We've been happy to have it as a reference.


Video Channel – August

While we've had a number of test chat hangouts and a few live mix style Specialty block shows, we've also hosted our first RFF artist live performances and hangout on the #owncast powered RFF video channel.

The community is very welcome to use this space for all manner of creative and fun uses. Album listening or release parties, live performances, Q&A or AMA, panel discussions and interviews, or just chat host a Specialty channel themed block simulcast hangout. Anything original, consented and inline with the station and community ethos is encouraged.


Somewhere in here we migrated the public facing streams to our own self-hosted relays which helped us gain a bit more integration and control over our ecosystem and reduced some costs allowing us to spread the infrastructure fund even further into the future.


RFF Faircamp Hosting – September/October

Given all the turmoil around Bandcamp transgressions as referenced in the three blogs linked in the gloom section we decided something we could do to show an exploratory option for artist agency and portability was to stand up an RFF faircamp directory and hosting offer. The idea was to help RFF artists who haven't the spoons or may not have the funds to explore self-hosting options for sharing their music as an exploratory option for agency and portability in a probable post Bandcamp landscape.

“All my gratitude to the wonderful @radiofreefedi for helping me to make my music available on the RFF community faircamp.” @socool

It's not a platform endorsement as it is not a platform. Rather just a decent method for assembling a tidy self-contained site bundle with music for preview and/or download suitable for portable hosting most anywhere. As we keep an eye on the horizon for what may come next here was our rationale and call to keep on supporting artists at the time.

We are also very concerned with the space, stress and oxygen created by the latest Bandcamp shitsplosion as rocket fuel for a huge influx of widely varying motivations to quickly enter the space and fill the gap and etc etc jargon. So whatever you are considering doing out there, please be vigilant of where you are putting your work, with whom and how clear or unclear they are about what they are doing with it.


Threads and Mastodon pooping in our picnic basket – December 2023

yeah nuff said.

On a great #unwrapped note, we blew past 320 music contributors and overall including writers, announcers and readers, patrons, advisors, there are now over 400 contributors beaming in the RFF signal!


I LOVE A PARADE – 01 January 2024

As mentioned in the new business section, in the hopes to celebrate and showcase some of the alternative and self-hosted streaming and broadcasting community we decided to organise a friendly global stream parade for New Years Day. It's not a centrally hosted and produced event, nor is it an automatically crossed over “raid” like on the nasty platform, rather it is a super cool assemblage of artists, communities, labels, collectives and broadcasters. https://blog.radiofreefedi.net/new-years-day-2024-global-24-hour-stream-party

update again, it was a success. Reach out if you are keen to get more involved with coordinating mini distributed stream parades, offer your work or stream, or leverage our or other community group platforms for boradcasting and streaming.

Our post NYD24Parade event debrief


Lolz

“I did (really) have to upgrade the data deal for my phone after #radiofreefedi reeled me in! 😁👍 But absolutely worth that extra £1 per month” @nigelharpur

“I have seriously got to stop listening to #RadioFreeFedi and browsing my timeline during the workday because the amazing #music that you people are putting out is KILLING my discretionary funding (play money) account” @Venya

“I've been listening to #RadioFreeFedi all day during #OliveHarvest, but couldn't use my phone's touchscreen while wearing gloves, so I thought it'd be a great day for field testing my #RFF display prototype, using a #Pimoroni Pico Inky Pack E-paper display for the #RaspberryPiPico.” @AxWax


Continuity

The station infrastructure is funded through March 24. We want to thank each and every friend who donated to the fund this year, especially in the early days for literally keeping the transmitter beaming. The human, often referred to as the hamster in the wheel sprinting to power the tower, has not been in a place to shoulder any costs personally, so it has been amazing to be able to not just create, not just continue, but to grow the station's offering and have zero (extra) existential dread at least about station server bills at the end of the month.

“at times like this, I'm just so proud being a #RadioFreeFedi supporter.” @Yuvalne

We'll call out for a telethon if we get close to blackout. We've jokingly asked RFF artists to “staff the phones” for a streamed event and you know you'd love an RFF tote bag for your support and contribution. (shush, global printing and shipping is a costly nightmare)


Staff

At some point it was kind of out of the bag that there is no RFF team. We alluded at times our solo nature and to bear with us when things were especially busy, or when our health was too much to work through, and when we were all in damage control for various fedi and internet debacles and dramas. It's not that we haven't asked. It would be lovely to offload some regular tasks. We appreciate that many are time poor or also exhausted.

“I think today it's you who needs to hear that we all like what you are doing, that it is amazing and we're all a little bit overwhelmed with just how much!” @kel

RFF was a more than full-time volunteer gig for many months to start. We were able to be a bit more part-time for a bit, but trying to push more station initiatives to support artists and trying to survey, map and navigate the tools, dramas affecting artists of which we are as well is a lot of work on top of running a station, platforms for artists to share and participate, and being as positive as possible in not a part-time gig.

We did our best this year to offer as constant and as available as possible support for just about any fedi, internet, platform, mutualaid and music queries. Amongst some of the challenges we definitely took some hits personally and probably burnt a bit too hard from both ends of the wick. Is that sustainable? Certainly not and we particularly wish the techbros would give us a damned holiday from drama so we can just share amazing art and build more capacity to help promote rad artists for an undisturbed minute. Even though there is so much more we could do, and most intitiatives and project we undertake have been very well received, almost too well received, we are far past the point of being sustainably able to manage and sustain all the things for this community service.

It's not at all what we want to do, had any intent to do, or even like, but we recognise the ripples of goodwill, belonging, community and support that are out there rallying around the artists and RFF and there may be a time to ask the community how we sustain the human power to sustain or grow those ripples. Help in the form of time still requires handover or oversight, but even that has not arisen or been forthcoming. We have absolutely no doubt the infrastructure will be funded any time we ask, but this thing has gotten a bit bigger than just that.

** update. with much personal consideration and with the loving feedback of members of the RFF community we went ahead and pivoted to asking the community if they would support the human at a minmum level to continue RFF as close to existing levels of activity.

We'd like to shout out the beautifully mischievous instigator @hilljam for unilaterally putting out a call for mutual aid for the hamster/human who faced some sizeable loss this year and if we're being honest with you, came very close a couple times to unplugging the transmitter. As a volunteer community service apparently we needed to be better at accepting help ourselves if the community wants to help not just the service but also the human power behind it. Your response was incredibly humbling and while we can't burn as hard for another year, we hope we can find some balance to continue.

Forest and trees and all that. When you keep staring down rapid fire dramas, setbacks, disasters, traumas, losses that feel amplified by the feed, especially from a community project's perspective, it's hard to not be overrun by all the things. And it can be hard to step back and see certain things as they are.

Thank you to the kind souls out there that helped us with a good cool down talk, stitch n bitch, or tone checks on our rough as guts writings when the hamster was steaming. Thank you to the shoulders we leaned on throughout this first year that helped use realise that as things are, RFF as a community and as a thing is practically unassailable positive. That rocks and let us be a bit more comfortable taking the odd moment to be appreciatively proud to be a part of it.


What are you actually doing over there:

It was apparently no small task to spin up and ramp up a completely consented and fedi based catalog where there is absolutely zero blind download dump and randomise or anything like that. Rather we do curate and do our very best to present something from every submission in the best place or places we can across our three channels with the best and cleanest data we can for the benefit of the artists and hopefully the enjoyment, enrichment and discovery of the listeners. At a minimum there is a weekly station music and playlist update which we post about and welcome the artists. Depending on how many new artists have been reached or suddenly motivated, or how busy our existing artist friends have been, some weeks there are 2 and even 3 music update!

There is also a lot of cumulative little works in cleaning voice submissions, editing and merging news, IDs, sweeps, drops, helping with audio on music submissions if and where we can.

And all the communications. And the main fedi account where when we aren't side quest doing our best to represent the bard class or tap the sign, we are doing our best to keep some positivity flowing to your feed. And all the various directory, public masto follow list, and playlist format data sets that are checked and updated at every station music update.

And managing all the self-hosted and nerd stuff we use for station management, audio streaming, video streaming, web and blog stuff.


Regerts! we have one:

A side effect of RFF wanting to foster good communication, collaboration, celebration of agency and consent et al is that when server wars, attrition, exhaustion, and class warfare by big players force artists to always be on the move, the station has to do our best to keep up with server changes in our directory, for each track in the station catalogue and any tagged promo etc. That's been amplifying lately for reasons in the gloom section of this update.

Something we got so wrong, and it was too late to do anything about as we grew so fast was to not insist on an e-mail or some alternative means to communicate with contributing artists as part of the submission and onboarding process.

There are quite a few initiatives and projects and potential things in the pipe, ongoing and projected that we simply cannot tactfully discuss, poll prospective participants based on the limitation of fedi microblogs and their being too public, having no viable group tools (we tried 3), and our community being too large to negotiate anything via private mentions. Twice we put out the call for e-mail and matrix IDs from RFF contributing artists and got single digit returns. We know everybody is busy and all, but we really do have some amazing opportunities that would need better input and consent to tackle and test.

It's not viable to post public, have artists not see it, have the public get amped for it, then it not actually happen. So it's not about being secret squirrel, it's more about feeling out IF things are possible or if we have the backing of the content providers.


How can you help?

  1. LISTEN TO RFF

  2. Tell a friend to drop-in and listen and discover amazing independent fedi artists! Helping RFF reach new listeners is in turn helping our entire artist community. Massive impact from some simple sharing.

  3. Submit your original music! Or, tell an artist friend to get in on the party and submit music. In most cases it's as easy as a single DM.

  4. Follow links affiliated with the tracks we play via now playing, the playlist bot, the playlist csv text files or the artist directory to: -Drop a kind word to an artist who's work you've enjoyed -Tag us too, or #radioFreeFedi, it's hugely rewarding to see amazing and kind interactions -Be an impromptu street team for an artist you've enjoyed hearing to help them reach new corners of the fedi -Consider the best ways you might amiable to for materially supporting artists if you have the means

  5. Check out the schedule and setup a date with a specialty block of themed tunes to discover even more tunes and artists. Since know what you are signing up for, Specialty block selections can go a bit longer and wilder and feature tracks you will not hear on the Main and Comfy channels.

  6. Want to perform live, busk, have a panel interview or discussion, host a listening party or album launch on our Specialty channel and/or video streaming channel? Can you offer some time to moderate chat in the video channel for a hangout? OR, does anyone out there want to record artist interviews? We could happily help recommend some willing and friendly artists. Or would you like to provide production help with any such events? There is space for just about anyone willing to be an active contributor.

  7. Can you help to collate and assemble lists of things such as upcoming release dates from fedi artists? Write some friendly mini reviews of RFF artists we can post as RFF?

  8. Can you provide about 5 minutes of voice read per month for a regular show that RFF will write edit and produce? We just need a regular presenter willing to record the intros and bridges. From a script verbatim if that helps.

  9. Have some original longer form spoken word or other programming you can consent or is fully consented for us to broadcast on the Specialty channel?

  10. You don't have to be a musician to contribute material. Send in some things for theNews or theTraffic. Send in some fun station IDs. If you'd like to do a read, we have scripts and guidelines available if that helps. All good fedizens are welcome to join the party. DM @radiofreefedi@musician.social for more info.

  11. Other duties as required. If you have some regular time to offer, we can probably line you up with a helpful task! Or if you have an idea for any original or consented programming you might like to make for RFF please do pitch it. If you can help with how we might be more sustainable as a community service without burning out a volunteer, we are all ears. Local grants are tough because of our global reach and scope. Prominent global grants lean real heavy to dev of tech that will get thrown away in 12-18 months and less for community building. Corporate money is a non starter. Pledge driving to staff the place feels weird personally as it was never the intention of the experiment, but here we are, it's not really an experiment anymore, and as a means to help and promote more indie artists it may be OK to the community? Any help here would be amazing.

  12. LISTEN TO RFF

It's a bit chicken and egg to spend time to map out tasks or jobs others might be able to help with that may never get answered or aling with initiatives that may not be realised without knowing who is actually interested in getting involved and what they might be able or willing to bring to the community.


are we there yet?

Don't make me turn this car around.

Whatever happens with the fedi as it was, is or might become, together we've made an impact. Maybe not much of a dent in systemic imbalances, but we've damn sure thrown down a gauntlet of how big small can be!

For every one of us as artists that have been touched by the uplifting energy of the community that has rallied, and for everyone in the wider community that has contributed in any way to that uplifting, and to all of us that have gleaned some discovery and joy from listening and sharing, this experiment that happens to be social web adjacent has been so much more than selfish social signaling and performative posturing. Quite the amazing contrary. We have seen absolutely gorgeous non-competitive and selfless giving of honesty, emotion, time, coin, knowledge and all manner of help amongst you all.

Are we fucking exhausted? Yes. Are the techbros constantly trying to crap in our cornflakes? Yes. Are comms always easy or durable in clunky federated microblogs? No. Are trolls? YES. Despite all of that, thanks to all who have worn it and even managed to beat it back a bit with a stick to make space for the absolute fucking AWESOME that has become the RFF community.

We hope you might get a wee break or a chance to reflect or a little power up at this time of year so that you can join us as we do our best to roll on in 2024. If so we're here to give you an awesome soundtrack. If not, we're here to provide and awesome soundtrack.

Whatever your endeavours may be and wherever your travels may take you, as always, we're here for you to drop-in, discover and hopefully inspire you to keep creating and to keep getting out there a supporting amazing independent artists.

Kia kaha

Ngā mihi me te aroha nui

-the hamster sprinting in the wheel powering the transmitter

Happy BandcampFriday FaircampFriday FridayFriday FridayImInLove or just plain Friday ya'll

We, as many others, are suffering from a solid bout of exhaustion having endured ourselves and having attempted to help friends navigate recent substantial rifts in the fedi that can have a brutal effect on the connections and reach independent artists depend on. While the fediverse can be pound for pound a much better environment for organic interaction if you make the effort, it is also overall a vastly smaller overall potential audience base and when it gets even smaller, that can be worrying and threatening to artists. despite the fedi rifts there is love

Then, we were plunged straight into round three of the absolute horror show that is the “fall” of Bandcamp. As of now it is 100% functionally the same with minimal ToS alteration but fair enough has soured many. This had us again scrambling to support artists as they try to understand where they stand, where they might stand, and how they can maintain support and possibly balance some of the ethics they wish to radiate while surviving. first response prior to the dismissal of nearly every collective agreement employee


As independent artist advocates foremost, this often means suppressing personal preferences in order to help and support artists on the platforms or methods they feel are necessary for their work and health or what they indeed can navigate and manage. That is a chief pillar of radio free fedi's existence, to discover using the community supported station as a transparent layer, and then “GO AWAY”. Go away to communicate, interact, collaborate, promote, support materially and in good energies for soul nourishing.

This is our way of not being a walled garden, an algorithm, and extractive siphon, or a hyper curated dead-end of consumption with little meaningful impact for the artists, makers and indeed users at the bottom of the attention economy. The difference so many of you have made to so many others as a non competitive creative community is a testament to there being good people out there, possible good from an alternative social community space, and the power of collective struggle in the shadow of the surveillance capitalist digital behemoths that work so hard to divide us and extract our data, health and wealth.

It is never a bad thing for artist and listener agency to be at the forefront and that certainly got a major boot to the jaw with the writing on the wall for the likely extractive corporate enshitification of our last least worst central platform in Bandcamp given the context of the most recent owners and the horrific vitriol from some of the remaining managers.

As talking heads, casual and power users, artists and supporters attempt to discern what they can tolerate in a music discovery and consumption model, a base truth we must embrace is that there is no panacea. Use caution surveying the many things that will appear or re-appear with wildly varying deep motivations who promise to be good stewards of your work (or openly/historically don't!).

And let us all amplify empathy by not judging what others are using to survive without ample pause and concern for the needs and resources of the artists involved and whether or not they have specifically asked for recommendations which should never include passive aggressive reckons.

Examples include: “why aren't you using platform X? have you heard of Y? I can't believe you are using pay gateway Z? This part of what you are relying on to eat is shit and I won't use it.” and halcyon on and on...

These are not throwaway comments to artists potentially under informed as to any potential untoward behaviour upstream from them, overwhelmed by the thought of having to shift platforms and the often non-trivial and time consuming work involved, low on spoons or time to survey options, or who are just focused on getting some damn groceries this week and were desperately seeking support, not your reckons on how they should or should not be surviving.


There will never be a single monolithic thing that ticks all of your personal boxes. We should be careful not to expect or demand or dream of 1:1 replacements or mimics of unattainable models of scale or resource sink. There is either going to be some high cost of agency and sovereignty on the commercial and corporate side of the spectrum, or inversely community division, decision making powder kegs, burnout, liability overload and implosion on the possibly well intended community end. And everywhere in between could be rife with expectation drift and sideline pundits of all stripe. Don't be that person.

While RFF remains absolutely agnostic on posting the links and support methods artists provide, we are doing our best to walk the talk to not just explore what comes after, or between, but lifting up our comrades on our way to lifting up the community on our way to what things might come next. That means considering not just what is best for ourselves, or what we might be able to tolerate on balance, but also how we can help meet others in the same process toward sustaining support, while not silencing or losing creative voices (art saves lives!), and if possible finding our way to solutions that are not centralised for scale sake, and also not federated for buzz sake.

Federation as in fediverse has not worked and may never work well with regards to discovery, attribution, and artist agency in things to date like Peertube and Funkwhale. There is no need to federate media per say, that's much too clunky. By all means let us explore bolting on messaging and discovery layers ON TOP OF simple community or self-hosted repositories so that creators know at least at their own core and base, nothing dodgy is happening to or with their work. But it is absolutely not an answer to try to bolt on fiscal transactions to existing things that are not fit for purpose as artist media hosting, sharing, attribution respecting, discovery and support seeking tools.

And again, let us not ignore the constant struggles with fedi ephemera, burnout, deprecation, unknown webs of blocks etc that impact and affect the diversity of users with varying underlying platform knowledge levels very differently and heavily.

Shouting just do a federated “the thing” at artists is not constructive. Rest assured there are some concerted efforts underway in this space, but they will need time. Just as artists will need time IF they choose to explore new, different or a blend of platforms, delivery and support mechanisms.

While the scale and metrics of the walled gardens is overall chasing ghosts for many, it can be a necessary evil for purposes many of us do not consider. For instance, it is well and good to think that artists could somehow help earn a living playing shows if they are able, yet the first thing many agents, promoters, venues, etc will ask for is your corporate socials and streaming presence and metrics. Is that good and right? No. Is it a reality artists face? Yes. All food for thought as we consider what the buffet of solutions we should seek, build, consider, attempt to tolerate or support going forward with the health and sustainability of music and art in mind.

second response post union dismissal, owner content intentions and remaining managers poor remarks


We face a number of complex issues at the intersection of ethics, agency, reach, usability, sustainability and paying the grocer.

We have said this on every #bandcampFriday, to know that every day is the best day to as directly as possible support independent artists. Please be understanding of the feed if and while these days still exist. It is hard self promoting as an independent artist, and communal support and promotion conduits such as these days have been incredibly vital for so many artists. Please know that artists asking for support in the best ways they can manage is 100% not condoning the poor form of the owners and managers of a place like Bandcamp that has often been their best rally point for support. artists are probably not horrible or deplorable just by proximity

Artists, please DM @radiofreefedi@musician.social if you need to open an alt channel to talk out anything at all at this time. We can listen, we can find the right advice, we can find help via community.

Many of us are out here absolutely ears pinned trying to survey, organise, test what comes next regardless of where Bandcamp goes. That is because these events have helped many realise that the bad and the least worst options we have been using, just as well meaning coops and the like are always prone to rot or disappearance. What comes next should also not try to be a 1:1 of anything. It will most likely be a buffet of options that will require us to meet each other somewhere in the middle around our media gathering and artist support practices. They should offer us at a minimum better piece of mind over some combination of reach, portability and most importantly agency and determination.

Let us not belittle or bemoan artists who are experimenting with new spaces or tools just as we should not belittle or bemoan those still on Bandcamp or even bigger corporate platforms.

Let's emphasise artist support first. If you truly don't care about the human or the creative energy behind the music then mute some tags and stay out of the way as artists desperately try to gather the resource, spoons or help to sustain their energy to create or indeed their ability to survive.

If you do care, and many of you very much do, we should continue to do our best to support artists on the terms and platforms they can manage with the understanding that this will take time any way you slice it.

So happy Friday to you all. Give as direct of support as you can muster in whatever formats you can be amiable with, that artists can manage to offer. Even if it is BandcampFriday.

And as always drop in when you can and discover some amazing artists that would love to meet you and have your support in any format you have, especially a kind word! listen and discover at RFF

Ngā mihi me te aroha nui

#radioFreeFedi

on bandcamp vs no bandcamp vs some bandcamp?, vitriol, armchair punditry, projection and respecting the diversity of our realities on the ground as indy artists in a digital landscape of immense power imbalance

originally threaded in short form at @radiofreefedi@musician.social

There is going to be more tension towards artists who for diverse and valid reasons may not fully understand, have the bandwidth to process, the resource or agility to rapidly platform hop, etc around the growing horrors of the #bandcamp fall.

TL:DR please mute bandcamp tags if you insist on equating every artist trying to survive, and their timeline to provide you some unicorn panacea distro/support model as somehow condoning bad things and that they should just shut up and go away.

Because sadly we are here to tell you, they are.


Corporate restructuring amidst a sale as a way to disenfranchise and harm workers is horrible. If there is any racial undertones exacerbating such action, that is deplorable.

An artist that needs groceries this week is most probably neither.

We continue to ask that for some time to come, we should do our best to support artists wherever they can by while we try to help each other out of this infinite mess.

Just as before, being on bandcamp tomorrow didn't mean an artist was pro vertical corporation, or pro paypal, or anti worker, it now also doesn't mean they are racist.

#bandcamp WAS the entrenched last least worst option for a common ground of usability, practicality, visibility and reach, agency, independence and trust.

The community of artists has an immensely diverse range of space, time and resource to know, process, or be infinitely platform agile at a pace we might prefer.


Supporting artists wherever they can be continues to be important if we can be amiable. Talking down at them for surviving is antithetical to fostering better options and helping one another to those options should they exist, be low barrier and sustainable.

Do not twist this, we can all agree anti-worker practices, racism, and loss of agency for artists and users are bad! Many were already in a no win situation to match the ethics we want to radiate while sharing art and seeking support.

What is the point if you snipe artists' means to survive, materially, or literally through their voice?

In a structurally unjust, racist and capitalist dominated digital landscape, do you want them on amazon, spotify, apple? Are they not racist, anti-worker, planet killing?

Armchair soap boxing AT independent, marginalised, overwhelmed and by the by BIPOC artists to “shut up you aren't performative interneting fast enough for ME” is kind of right out of the oligarchs' otherism playbook.


We remain very concerned for the health and well-being of our artist friends of all stripes, on all platforms and do not want to leave any in the lurch at this current crossroads.

Stay vertical out there. Art hard! Use your arms to wrap around each other and lift the fuck up, not to point and diminish and dissuade and further disenfranchise.

#solidarity can be speaking out WITH those wronged by corporate motives AND not diminishing, berating or yelling AT desperate, independent, marginalised et al artists! ❤️

Kia kaha

Ngā mihi me te aroha nui

#radioFreeFedi

bandcamp and where to for artist agency, listener choice, general agency and ownership

As we've said there are so many options out there and we do not want to endorse any single model as this forced shakeup of the last least worst centralised platform goes to the vultures.

Artists need to do whatever they can manage and navigate this landscape so they can reach who they can, garner the support they need and hopefully also be able to continue creating. Friends, listeners, supporters need to do our best to continue to seek and support as amiably as we can amidst most probably pending fragmentation.

Those that are decoupling or de-focusing from #bandcamp have been considering a wide array of competing or fledgling music sites, ko-fi, itch, funkwhale, self hosting raw files, self hosting Faircamp, self hosted e-commerce shops and many more.

There was already quite a few competing projects in various states out there. Now there is going to unfortunately be a lot more space for more fedi infighting, that seldom artist centric grinding socials armchair punditry, “cooperative” collapse, overblown expectations on integration function, reach, scale, fiscals, et al.

“Just build a Fedi Bandcamp” is a bit of a flawed premise on a few terms mainly for expectations: – pure Fedi music discovery will continue to be a constant struggle for artists just as it is now for their artist identity due to federation anomalies, ephemeral servers, platform variance, and admin wars – Bandcamp had 5 million+ artists from 15+ years of operation which was enough discoverability scale for some, yet still no where near the “discoverability” of platforms where you can rub virtual shoulders with and fund a 2nd yacht for Rihanna's lawyers, because as artists we are often desperate for metrics to try and survive – fiscal splitting, holding, administering is a big ask and liability and consensus on standard methodology will always be a minefield

There have already been buckets of failed cooperative music sites some with pretty strong initial momentum or funding. Once money gets involved in terms of collecting on behalf, distributing, and esp if trying to be global, that is just a tonne of liability and hassle. So there is immediate issues of scale in nearly every commercial proposal.

We are also very concerned with the space, stress and oxygen created by the latest Bandcamp shitsplosion as rocket fuel for a huge influx of widely varying motivations to quickly enter the space and fill the gap and etc etc jargon. So whatever you are considering doing out there, please be vigilant of where you are putting your work, with whom and how clear or unclear they are about what they are doing with it.

This does not exist yet, and is also not an endorsement, but given the rather clear indications of what the project is not going to be and the historical context of the instigators @ajroach@retro.social and @djsundog this is a pretty good barometer of how we'd like to see projects sound.

We fully understand if you have not the spoons or time to infinitely survey the landscape or contribute to x number of alt, new, emerging platforms to see what sticks.

If you need some help or want to help with a simpler non storefront based independent stop gap or maybe beyond please read on. While you will need to point to it from other socials/sites/platforms it is doable now and without the pitfalls of massive expectations of large silo integration, or extra or more fiscal cuts. If not, cheers for stopping by and please do you best to discover and support independent artists.


In the interim and after well more than just this past month surveying artist options, for our PERSONAL tolerance and state, faircamp static music catalogue site generator is the best we can fathom on balance as a rapid and ethical not bandcamp option for good file downloading, embed and share, easy to advertise, strong at honesty box or code locked model. It is attractive to a number of us who are less concerned with the very real for some artists, unrealised by others, discovery benefits of proximity to commercial, corporate, tracking, metrics based and popular walled gardens.

AGAIN, artists need to do whatever they need to do for survival! The scenario for some of us around RFF, while we also would like to secure food and shelter, is a less shop and metrics focused, agency and empowered approach.

Our hope is to extend that artist ownership narrative, by potentially removing some tech barriers to effectively do some basic self hosting for their music with just a bit of help on the tech side from RFF.

It's just an option. It may be complimentary to other things you are doing. It may be a lifeline to do something at all if you cannot or will not want to deal with server gymnastics to fully self-host and may want to opt-out from the corporates.

____________________________________________

We have already tested the infrastructure required to do this and the storage and naming models and onboarding scenarios. It's a very modest setup and if each participating artist gave literally a couple bones per month, less than even the cheapest VPS or shared hosting to do it yourself, looks positive for both sustaining and scaling.

If you have a smallish catalogue, we are very happy to setup for free, sliding scale, or whatever you can donate to our human. All you need are basically zips (from Bandcamp even) of your wav or flac and some text and links you want to present around your work and maybe some help uploading your work to a staging location. That's all you need for us to deploy this on your behalf. If you have a massive catalogue there will need to be some considerations for setup and hosting as depending on preferred and amount of file formats, time and storage can balloon.

While there is the option to have one big “instance” kind of like a label model, depending on uptake you'd be buried by release date but could effectively filter or share just you via faircamp.radiofreefedi.net/yourname

More realistically, we will deploy individual Faircamp bundles for each artist to that same kind of url, and this will allow for more custom messaging and info around your work. We could help point another domain or subdomain of yours as well.

__________________________________________

So if there is an RFF Faircamp “as a community service”

What is IS: -Simple and clean repository of your music. Nice to wrap in another of your sites or quite tidy standalone

-Full track preview playing

-share your overall home or inidivual release links

-Non-exclusive for rad independent fedi present artists

-A hopefully appreciated and trusted banner of RFF as a fedi community powered non-commercial service

-Effectively self-hosted, some huge platform itself isn't using your stuff weirdly

-Agency, you own the narrative and the presentation

-Easy downloads in multiple formats that can scale as you like and as infra allows. More adoptors/donors = more options going forward.

-Clean links to advertise and promote, obscured and scramble-able links for download files

Options for offering files: -Free just as it says

-Honesty Box At the front of your faircamp page you might say everything is free grab, or donation requested or ask a specific price. You can choose to link or embed donation and payment widgets or link to any chosen platforms, liberapay, ko-fi, stripe, or anything else as a link. OR You can have a soft pay curtain that offers payment or donation request ahead of each download.

-Preview only and codes for download A place to hold, preview, link your catalogue but it is not immediately downloadable with a a code you provide based on whatever means you wish

What it AINT: -Bandcamp -A shop persay, no merch, no shopping cart, no local one click sales, although widgets to other pay and donation gateways work! -A streaming service or app -Rihanna's Lawyers –“Federated” -Exclusive


What next?

If you want to trail blaze a loosely RFF banner'd Faircamp community as a service type thing, just DM the station @radiofreefedi@musician.social . We only need an handful of artists and minutes of their time to provide the material we can then onbaord to make it worth launching. If that does not happen, we are still happy to help advise or comfort from our own experience to those going it alone if you have access to some hosting and storage.

We are a community. If this happens would you want to help with artist onboard advising, helping gather materials for artists, want to sponsor some slots for artists in tough situations to come onboard? Also DM the station.

We'll see what comes in and follow up post if it's a go or things are just a bit too tepid.

Regardless,

We are here for you if you need to talk out how you are navigating fedi issues and visibility: https://blog.radiofreefedi.net/despite-the-recent-timelines-there-is-fedi-love-and-it-is-you

We are here for you if you are struggling with platform fatigue and need a empathetic yet critical ears to talk out your strategy for digital media: https://blog.radiofreefedi.net/urging-calm-and-support-for-the-artists-we-love-in-the-face-of-the-latest

And to be a broken record:

At this latest concerning nexus it is important to do our very best to support independent artists in the ways they encourage if we can be at all amiable.

Kia kaha

Ngā mihi me te aroha nui

#radioFreeFedi

Urging calm and support for the artists we love in the face of the latest changes at Bandcamp

** IF YOU ARE FEELING AT ALL OVERWHELMED, NEED HELP NAVIGATING HOW TO FEDI GET THROUGH THIS, OR NEED TO TALK ABOUT HOW YOU MIGHT GO FORWARD WITH SHARING YOUR CREATIVE OUTPUT PLEASE DM @radiofreefedi@musician.social AND WE WILL DO OUR VERY BEST TO HELP, CONNECT TO HELP, ADVISE OR JUST BE A KINDRED SHOULDER TO LEAN ON! **

Last year our human artist in residence urged everyone to hold fire on kneejerk account deletions or boycotting Bandcamp for the sake of the artists. We encouraged all to spare a thought for the extreme scenario independent artists who may have been trying desperately to avoid padding the pockets of google, amazon, apple, spotify etc and provide relatively good transparent and ethical format, licensing and ownership options.

Bandcamp was and has remained the last least worst option for artists to be: 1. less ripped off on percentages 2. relative easy usage for artist and listener 3. pretty darn decent options for file formats, and respecting agency and licensing wishes 4. relatively widely accepted and adopted platform for some level of discovery, reach and trust

Is it a privacy panacea, no, is it better for many than having to run, manage, build or cost your own platform or infinitely seek, test and jump other platforms, yes.

Epic/Tencent as an absentee owner was a weird and scary transaction and should ideally never have happened but aside from workers needing to organise, and the workers absolutely supporting the artists throughout that process, it was happily a rather uneventful 18 months at least in terms of not ruining much for artists.

The new owner is a marketing first entity specialising in licensing deals and rights management. On precautionary principle there is a much higher probability of litigious power imbalances, artist exploitation and abuse from angles that simply have never been existent in Bandcamp to date. Further, they have an AI portfolio. You may be fine with all of that and none of it may be bad. But it hits different to the absentee owner who was at least semi-creative adjacent and did not meddle in a decent artist-centric model at scale. And if you were super interested in commercial licensing deals you would have been on other platforms like it already.

It feels appropriate for users and artists to backup their libraries and be agile for portability which is a good idea even not during a centralised platform buyout.

IF terms, pricing, power imbalance moves one iota under new ownership it will be fair to call that out. It will be fair to stand against it. But all the while please have the health and safety of the artists caught in the crossfire at heart.

It is an exhausting exercise for musicians to have to constantly ponder how they can achieve reach or support, even more so if including any ethical matrix for artist and supporter agency. Reach and material support is so important for many independent artists.

Please also consider that many artists may not or cannot possibly understand all the implications you might see or be able to act/react to every centralised corporate transgression as they try to survive out there.

We should also understand it is fair for end users to be concerned on the possible loss or fragmentation of their collection and discovery, or diminishing of their positive impact on artists and how they might coordinate following, supporting, and listening in varying degrees via new to them methods.

There is no greener pasture. We can appreciate there would be nowhere near an equal amount of support going to 5 million discrete artist shops as there is in one Bandcamp.

Most of the hyper open federated/distributed models are clunky and not ready to provide support, reach, agency, ease of use without a lot of work. Larger coop models have come and gone and those that exist are still poor experiences and/or very niche some even after years of building. The point here is jumping to something else or shouting to build something else can be a trap. This isn't being negative, it is just emphasising to approach these regular hurdles through the lens of not leaving artists in the lurch during platform lag and to consider that the more artists are fretting or hustling to manage platforms is time they are NOT making music.

At this latest concerning nexus it is important to do our very best to support independent artists in the ways they encourage if we can be at all amiable.

This hopefully allows them to focus on primarily creating and secondarily platform negotiations. This might be via corporate platforms, this might continue to be Bandcamp, this might be donation or subscription models via donation or direct payment gateways, it might be on free sources or archives, it might be on an artists' own setup or any combination of these. Please do what “works” for you, please strive for what might work better but hopefully not at the burn out expense of our collective ability to create, listen and support. Yes there are MANY “options” out there but please be mindful not to shout them at artists not asking. Do please help each other out with options and support if engaged.

We will be here trying our best to support fedi artists while continuing to in an agnostic manner list the support link they advise.

** IF YOU ARE FEELING AT ALL OVERWHELMED, NEED HELP NAVIGATING HOW TO FEDI GET THROUGH THIS, OR NEED TO TALK ABOUT HOW YOU MIGHT GO FORWARD WITH SHARING YOUR CREATIVE OUTPUT PLEASE DM @radiofreefedi@musician.social AND WE WILL DO OUR VERY BEST TO HELP, CONNECT TO HELP, ADVISE OR JUST BE A KINDRED SHOULDER TO LEAN ON! **

Take care of each other out there!

Kia kaha!

Ngā mihi me te aroha nui

#radioFreeFedi #bandcamp

Our goal at RFF is to help uplift independent artists and the wider listening community.

We are so sorry to hear when any of our independent and marginalised fedi artist friends are demoralised, exhausted, disconnected, or worse cutoff from the engagement and visibility needed for your collaboration, voice or means to eat. We fully understand when a tool that was hopeful as a better means to share our voice and work can derail the very desire or means to create said voice and work.

Please hang in there and reach out privately if you need to vent or help trying to navigate how to stay fedi positive and fedi connected because we are all struggling.

We don't have the answer to fedi peace or how marginalised and independent artists will sustain durable connections or even just some lunch amidst the current amplified fedi tensions.

We do continue to LOVE LOVE LOVE the connections that have been made, the collaborations spawned, the non-competitive comradery, the positive emotional and material support that is moving in all directions! And interestingly, we are swimming in submissions almost in spite of the extra negativity currently out there, so again huge credit to you the community for sharing strength and positive energies for those of us that really need a boost.

We can't promise the future of the fedi but YOU ALL, the community that has rallied to make RFF a thing are without question a shining beacon of what federation can foster. And we will do our best to keep RFF as a positive voice advocating for and amplifying the amazing, creative, diverse, empathetic, collaborative and loving path so many of you are walking.

So we took a few hours at the proverbial drawing board sketching if there is anything we can do towards more durable or alternative connections.

We took the RFF artist public fedi account list, filtered out duplicates, downed or disappeared accounts and those on platforms that do not support the format to arrive at a basic urls (newsboat fam) and opml file. We imported, cached and tested in multiple readers and at point of publication there were no blank entries (always subject to fedi server availabilty and state). We will update this along with the website list and masto follow file at each station adds post time.

If you were not aware, many fedi servers can put out rss of public only posts per user account. See this piece from Fedi.Tips. We don't endorse a specific best of list for rss readers/aggregators, if this is new to you you will have to check your OS/platform options you might be comfy with. They can be browser based, local, desktop, or mobile app (F-droid options exist).

an RFF artist RSS: urls | opml

May be there are multiple use cases:

  • You need to step away from the wider fedi timelines presentation and context for a bit for any valid reason to you.

  • You really love RSS readers and having an RFF contributing artists category would be awesome.

  • You or another friend, collaborator, artist you support have become disconnected due to the nature of federation and it's management.

  • Other?

OK team, stay awesome out there. Keep making tunes. Keep sending in music, Station IDs, and propose any other content you want to share. Keep celebrating each others' existence and amazing work.

Together we have made such meaningful impact so do try to hold that close to heart when the timelines get you down.

Ngā mihi me te aroha nui

#radioFreeFedi